Aliyu’s works juxtapose photographs from her familial archive with those from her broader community to create a selection of stereographic pairings, which will be presented alongside printed matter, installation, text, and sculpture. Historically tied to early photographic documentation and colonial ways of seeing, stereoscopy is reworked here as a relational form that links images across place, time, and lineage rather than isolating them as data. Works attend to empathic gaps in collective memory across generational experiences marked by migration and forced displacement, and trace how systems that organize knowledge are informed by colonial practices designed to classify and control. The stereographic images require viewers to lean in and look closely, asking for a scale of intimate attention that counters distant and extractive gazes.