The “Land lords” are taking over the city

Posted by on Mar 9, 2014 in Raquel Du Toit | No Comments

Walking around the various art fairs over the weekend I entertained myself with the shiny pretty objects and large amounts of over priced Prosecco. Because seriously, that’s what you need to do just to survive the insane amount of similar shiny objects  that are differentiated only by location of booth and name of venue. (see bottom for my definition of shiny) However, in the midst of my escape from Scope I stumbled on a stall that stood out. Mainly because it felt like home , Brooklyn, but also because I had just seen this artist last weekend at the Buschwick Beat Night.

The work of Rafael Fuschs stood out, like a soar thumb, and I was happy to see it there; throbbing away despite all the sleek shiny work around it. Rafael doesn’t hold back and makes no apologies. In this series called the “Land Lords” was not only the most controversial studio space at the Bushwick Beat Night ( all my friends HAD to see what the fuss was about) but also the most cutting edge. His merging of images in a collage style talks about the ever changing identity of Brooklyn. The vast array of culture that clashes in the day to day lives are shown with uncomfortable tension and at times questionable stance. The glossy Photoshop technique he uses, gives an element of advertising and a sense that there is more to convey about mass communication and mass media and how they influence the community of these cultures. He stakes in his bio that ” In the realm of art and commerce photography, he puts himself out there, and invites those who see themselves as test makers, to make judgements” . Rafael is not only testing the waters with his provocative imagery but also examining the roles people play within communities , perhaps exposing stereotypes and encouraging others. But with each image you question yourself ,and your role with each image that is in front of you. Thoughts on your own relationship to economy, rent, personal identity and culture becomes all part of the analysis of this work. Rafael Fuchs is originally from Tel Aviv and moved to New York in 1985 after getting his BFA in Bezalel Art Academy in Jerusalem. His has a vast array of work stemming from a humorous yet critical perspective of the world. This includes several videos he has made as well as Saturday night live appearance that on vimeo he calls his ” My 5 minutes of fame “. He also is prolific commercial photographer as well as documentary and several commissioned art pieces. But all in all he enjoys t push those buttons. Perhaps a bit too much at times , but at least they are beings pushed.    After the shock of viewing the work I had to go back and re examine it several times. I love work that makes you question if it’s art.  I love work that makes you want to go back and hate it; but in the end, its just stuck in your head. Repeating that darn tune over and over until it becomes part of you. And that is why his work … works. It was so stuck in my head, that when on the sunny Saturday walking around Scope I smiled. Dragged my Colombian friend over to the booth and said “don’t you just hate this … ” and she smiled and said “wow we just found art. ”

Check out more of his work at Rafael Fuchs for other projects look at 56 Bogart St #1E Brooklyn NY 11206

*Shiny – super glam/ really well crafted  but perhaps too well crafted/ Cheesy/ to decorative/  trying to hard to be art/ overproduced/ tacky/ ok you get my point

“Natural Selection” … survival of the digital photograph

Posted by on Feb 22, 2014 in Raquel Du Toit | No Comments

SVA and Calumet challanging the notions of body, cityscapes and the ever changing human condition. This show is a group show of sixteen emerging artist from SVA MPS Digital alumni group of 2013. Currently on view at Calumet Gallery, Located on the second floor 22 West 22 Street, showing through February 20 – 28. Each artist shown here attacks the notions of the ever evolving world we currently live in. My top pics are the following: Hsin Wang, Masha Ermak, Clay Patrick Mc Bride

Hsin Wang  deals with body and the commodities that surround us. Inserting the physical presence of the female body you see the struggle of fashion and identity in each of her prints. Beautifully composed they allow the viewer to approach the image. Yet its content is disturbing. Something alluring yet dark are present and one is left wondering if we are eliminating our own species with over consumption.

Masha Ermak – (Series called “The Strangers”) is the photographer that is on the cover of the invite and I do have to say uses a dark humor and commercial photography to create a serious conversation about society. website  Her usage of food creates in relation to the body creates a great dialogue of desire, want, and pleasure. Yet at the same time the removal of any identifiers such as heads, fingers, and photoshoped skin brings into question body image . The placement of these objects bring into mind surrealist compositions and Freudian practices into a more contemporary dialogue.

Clay Patrick Mc Bride (Series titled Underworld)

There are many, many, many photographers who attack the subject of the underground railroad system. And to tell the truth I never really see anything original. However the way Clay approached this subject was simply … fantastic. Using elements of fantasy and magic he created creatures of the underground world bridging in some cases what was reality and what was not. These large Prints were on some sort of acrylic box making them objects themselves. Personally I don’t think he needed to go that far, seemed a little to “arty” but the images themselves were impressive and evoked dreams, mystery and a world that I wish to find in the hours of 4am……

“Lets get awkward and make pictures about it” Interview with Tommy Kha

Posted by on Jan 30, 2014 in Raquel Du Toit | No Comments

When checking out my colleagues web site on the homepage it reads  “Lets get awkward and make pictures about it” and I think that describes Tommy very well ! This Saturday despite the polar vortex weather I went to visit him in his new studio in Dumbo. He was excited to show me his space since he really hasn’t had a “real” studio for a while because he works mostly from his own life experiences. I asked him about his studio practice and he said “Well you know ,like over the winter break I travelled home to Memphis, spent some time there. Mediated. Smoked at the bar, had a drink, and during the day I go out and walk. I take everything in and then figure out what I need to do”.  That’s what is so great about Tommy’s work is that his life … this life of taking things in from everyday existence is filled with complex moments and awkward encounters.

Whats so great about Tommy’s work is that his life … this life of taking things in from everyday existence is filled with complex moments and awkward encounters. Tommy went to Memphis Collage of Art  which was more fine art based, and directly got into Yale for his Masters. When asked about how he got into photography, he exclaimed that the “story always changes”. It could have been when his sister asked him to do head shots for her modeling career. Or when his sisters boyfriend had a camera Tommy liked; so he got one too and then realized that he “liked” the guy. Whatever the story is he just liked taking pictures, a lot of bad pictures (which he claims he still does) but he just had to take them. He remembers taking a series of images in which he got all his friends naked, the accomplishment was that they actually didn’t mind him taking the nude pictures with him not so much the pictures themselves. And that’s what I enjoy about Tommy, that fearless way of approaching his subjects, there is no fear of making that “perfect” image its the experience and the nuances that count. He finds that sometimes the best images happen when you are not expecting them. Most of the time he has an idea, sets things up , the model, location, only to find that the best shot was the one that was unexpected.  We talked a lot about editing and sequencing while looking at his various series on his web page and some small images on his studio wall. Each individual image is strong enough to stand on its own yet the way his “gut” tells him to arrange them feels almost like a entering a lavish novel filled with antiheroes and shady bedrooms. Tommy uses appropriating videos as a strategy to talk about Asian male stereo types . Looking at the body and how the media can easily disregard the asian body especially the gay asian body. He addressed the issue of the lack of representation of the LGBT community in the media and how that even when there are represented there is a lack of diversity in race. It’s always white male that is standing in for roles that perhaps could be better represented, and that the characters could be more developed. The best asian representative is the guy from Walking Dead “Glen” who is a male Asian. His character in the show is  treated the same way as all the other characters he shoots a gun and that invalidates the Asian mystique. I asked him about how he felt about Jackie Chan.  Tommy said that “ it doesn’t work either, because it’s still seen more as comedy and although he may be a main character he is still marginalized by humor. He likes to insert himself in the videos and challenge these “roles” that are portrayed. As you can see in “How to Quit Me” 2013 he inserts himself into the movie “Brokeback Mountain”. How to Quit Me In one of his videos Tommy actually shoots a gun. This piece was right after the Sandy hook massacre and obviously him being from the south this was a big conversation in his home town of  Tennessee . “They are really about their gun laws and they want to keep their guns. I wanted to get bullets and they were sold out, so had to borrow some from a friend. It was the first time for me to shoot a gun and it was me just documenting it and what the experience brought to that. Just having this experience with them and hearing them say things that perhaps were not politically correct,just the state of things. Being from the South you have to have a thick skin, they are really open about racism” (quote from interview). Borrowed Bullets Not only does he like to insert himself in videos but Tommy likes to insert centerfolds into his new project that are Photo zines. These are a color copy pictures that are placed together that really aren’t “part of anything”. Re contextualizing the past photographs and a different practice of sequencing. (Please visit website for more info coming soon).His first one is called “Fathers and other Strangers” because we all know we have daddy issues.  He wanted to make sure I knew these were not black and white images because they are COLOR prints of his work. His obsession with color can be seen in each of his pieces. He loves color just in case you didn’t know!! When getting one of these zines he wants to have the centerfold not have to do with anything in the series of the zine, just an amazing disposable insert that can be taken out and placed on your wall.


There are a lot of things Tommy is working on but he can’t really say much, because, well….. its a secret. So make sure to check out his website for updates for more info on his work.

The Art of the Every Day – Review of Israel Martinez at the MUCA

Posted by on Jan 15, 2014 in Authors, Raquel Du Toit | No Comments

Part 1

MUCA Roma – insurgentes Sur 3000, Centro Cultural Universitario, Delegación Coyoacán,C.P. 04510, Ciudad de México. TEL: 5622 6972 Exhibition dates through end of January

When walking around the bustle and hustle of Mexico City it is easy to forget to stop and look around. This city with 9 million inhabitants is filled with subtle human moments that just pass us buy. Israel Martinez born in 1979 a photographer and video artist originally from Guadalajara Jalisco, capture moments of human existence in a simple, poetic and reflective way. “Dislocation” which is on show now at the MUCA (Museo Universitario de Ciencia y Arte) curated by Ivan Edeza, is a photographic experience mixed with video, installation and sound. This show is a compilation of his work recently done at his residency with “The Artist in Berlin Program” from 2012-2013. In each of his pieces there is a feeling as if they could be a snap shot into our own lives, each frame, show a real reflections on how perhaps the world around us moves way to fast.  Just like when gazing into his projected hypnotic ocean waves crashing on the floor of the museum,  we need to stop, listen, and create our own space.

The first floor was very rhythmic. The videos were smaller and placed on a loop that communicated with each other. The beginning of some were the endings of others and the narrative was constructed by the location of the photographs and videos. Here the imagery was perhaps common yet universal.

“And Also the Trees” Video 1’45”
Still image of videp

The video clips of trees passing through a window , the stillness of a small town that is suddenly disrupted by the crossing of the train all seem to bring some personal memory of my own, I too have been there and perhaps other viewers too.

Second floor was curated brilliantly . Each room had its own video and sound, creating a space of its own. There was a phrase describing the work as you entered the dimly lit room saying “Los dias se precipitan a velocidad angustiante se adelgazan, se esfumen cuando apenas comienzan a formarse “Fadellini. (Days precipitate in a distressing speed that is slim, vanishing just when they begin to form). That was the feeling of the first video one encountered.  A woman slowly collected shells from the ocean as children and waves played around her. Despite, all the frolicking and play of those around her, she was in her own meditative state. The viewer was encourage to sit down and contemplate this video as there were three small stools set up in front of the human size projection on the wall.

“Paraiso” Video 8’33”

In another room there were some small more intimate videos and a series of photographs of people crossing a dusty road carrying grocery supplies to their cars. The wind that blew up against them made this simple task of taking ones purchases to a car appear as if they were fighting a battle in some forgotten waist-land. Another larger space was filled with a sound that was threatening you as one entered it’s space. The dark room was filled  with what seemed to be sounds of bombs or perhaps gun shots echoing in the distance, only to reveal a single photograph of a man hidden behind a tennis rack. This perhaps was a little bit to literal, but when revealing the image one discovers that the sounds one was listening to was that of a game of racket ball. The once threatening bomb sounds were merely the balls hitting the floor and the racket hitting back. Despite the obvious image of the guy hidden behind the racket, this was one of the most emotive piece in the show.

“fusilado” Sound Installation

Israel Martinez captured human moments using diverse mediums to evoke our everyday surroundings. Blurring the lines of art and real life even as one exited the Museum. A sound of  shouts and voices was heard in the Museum steps as if there was some sort of political protest in the streets.  However once looking up you could see two large speakers projecting sounds that were originally recorded at a Lucha Libre fight in Guadalajara Jalisco. Title “Martes de Glamour“  (Glamorous Tuesdays) is representative of what the locals call these games. Israel Martinez’s work is thoughtful, provocative and simply made the ordinary into a meditation. Leaving the show I no longer felt like I was in a City that was hustling and bustling, rather I began to expect that around every corner there was an art piece that was just waiting to be captured.

Sound Installation outside MUCA

For more information MUCA website