Hubbard considers the field of vision of the camera to be a physical space with boundaries delineated by an invisible cut, the line which separates what is in and out of the frame.

In his exhibition, Scozzaro employs a photographic fiction-making process as obliquely autobiographical, fabricating, inventing, and constructing images that straddle both criticism and confession.

Barnette, a 2015 Artist-in-Residence at the Studio Museum in Harlem, returns to present Do Not Destroy, her first solo exhibition in New York City.

Faustine’s performative monument-making style again tracks history and the power wielded by its perpetuated falsehoods versus its barely recognizable truth, but also boldly asks us to confront the very ideological DNA of America.