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“flowers (blue, purple, pink)”, from an ongoing project called, Pulse. I began photographing at the memorial at Pulse nightclub on June 17th, 2015, 5 days after the shooting that is remembered now as one of the deadliest mass shooting by a single shooter and the deadliest incident of violence against LGBTQ people in United States history. Amongst the photographs I made at the memorial were some of the fence protecting the crime scene; the fence, which, to me, came to represent a significant boundary. The fence went beyond the delineation of the boundary between public and private space — it became a boundary like skin, a boundary between life and death, a representation of a surface separating us, the living, from that which is lost. The fence also quickly became the substrate for the material of the memorial, which I documented as growing over time. ❤️ @restagram #gaysagainstguns #pulsenightclub #pulseorlando
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“Rainbow Bracelet”, from an ongoing project called, Pulse. I began photographing at the memorial at Pulse nightclub on June 17th, 2015, 5 days after the shooting that is remembered now as one of the deadliest mass shooting by a single shooter and the deadliest incident of violence against LGBTQ people in United States history. Amongst the photographs I made at the memorial were some of the fence protecting the crime scene; the fence, which, to me, came to represent a significant boundary. The fence went beyond the delineation of the boundary between public and private space — it became a boundary like skin, a boundary between life and death, a representation of a surface separating us, the living, from that which is lost. The fence also quickly became the substrate for the material of the memorial, which I documented as growing over time. ❤️ @restagram #gaysagainstguns #pulsenightclub #pulseorlando
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Hello, it’s still Res! I am going to share a few images now from an ongoing project called, Pulse. I began photographing at the memorial at Pulse nightclub on June 17th, 2015, 5 days after the shooting that is remembered now as one of the deadliest mass shooting by a single shooter and the deadliest incident of violence against LGBTQ people in United States history. Amongst the photographs I made at the memorial were some of the fence protecting the crime scene; the fence, which, to me, came to represent a significant boundary. The fence went beyond the delineation of the boundary between public and private space — it became a boundary like skin, a boundary between life and death, a representation of a surface separating us, the living, from that which is lost. The fence also quickly became the substrate for the material of the memorial, which I documented as growing over time. ❤️ @restagram #gaysagainstguns #pulsenightclub #pulseorlando
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“Back Seat Driver”, is the last picture from the series Thicker Than Water that I am posting. If you want to see more check out my website, www.reslikeyes.com I began Thicker Than Water to create a space for my Dad and I to share. It evolved into a body of work about family, expectation, transitioning masculinity, strength, failure and negotiating losses. 🧡 @restagram
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Like Pearls, from series Thicker Than Water 🥀 I began Thicker Than Water to create a space for my Dad and I to share. It evolved into a body of work about family, expectation, transitioning masculinity, strength, failure and negotiating losses. 🥀@restagram
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Trophy Dad from series Thicker Than Water.🏆 I began Thicker Than Water to create a space for my Dad and I to share. It evolved into a body of work about family, expectation, transitioning masculinity, strength, failure and negotiating losses. 🏆@restagram
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Dad’s Still Life, 2017 from series Thicker Than Water. 💙 @restagram
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Merry Christmas to those who celebrate it. The next few posts will be from Thicker Than Water, a project I made with my Dad. More to come! 🎁 @restagram
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💄 @restagram passion purple no. 2 from series Read You